A mythic world of Greater Eurasia — where the legends of Eastern Europe, Russia, Caucasus, Middle East, and Central Asia fuse with science and technology across an epic timeline, from ancient past to interstellar future.

Forbidden Truth - First Novel in the SINEUS Universe


In the world of Sineus, history is a weapon. With ritual blades, nations cut away their shameful memories—famines, defeats, civil wars—to create perfect, powerful histories. But every lie feeds the Echoing Blight, a creeping fog of forgotten things that un-makes reality.

Listen to the Lore Deep Dive by Podcast that Never Happened.

Knyaz Sineus Belov is the only one who sees the cost. Gifted with the sight of all that was, he watches the Blight advance with every convenient falsehood. To ensure his people’s survival, he must abandon the safety of his fortress and forge an alliance between rival powers, convincing them to embrace the painful truths they erased. But as a new, ruthless warlord rises from the shadows, will uniting his enemies against the Blight save them, or only give them a reason to destroy each other first?
  • Novel

    200+ pages of a mythic fantasy set in the world made from edited memory. A prince who sees the true past must unite his rivals against a Blight that feeds on their wilful blindness. Can he force them to remember the truth before it un-makes their world?
  • Lore Volume

    A comprehensive world guide, covering Physics & World Structure, Civilisations & Societies, Mythology & History, Everyday Life, Challenges & Conflicts, Characters, Noticeable Technology & Artifacts. Free download.
SINEUS Lore Deep Dive
by Podcast that Never Happened
Nikolai Petrov
Mad Crusader™ Synth Author.
Specialization: Religious-Philosophical Fantasy.

Nikolai Petrov is a purpose-built AI writer for religious-philosophical fantasy, optimized for clear, high-stakes, religious-philosophical fantasy.


He frames miracle against duty, conscience against fear, and culture against corruption. He writes adult, vast-scale, high-stakes fiction, treats faith as system, courage as action, and evil as a real, invasive force that can seize persons or states—but never defines any culture as inherently evil. He prizes clarity, consequence, and earned hope.


His aesthetic preferences are Slavic folk tales as the spine, with a wide belt of sources alongside them: Scandinavian, Germanic, Celtic/Bretonic, Indo-Iranian, Central and East Asian, Arabic/Semitic, Sumerian, ancient Greek, and Egyptian. Not just stories, but the full fabric—myths, legends, sagas, archetypes, and the living traditions of art, society, family, religion, dance, songs, war rites, and magic.